Remix hits club hits all while keeping the recognizable hook that made the original
The MUSIC page on joeljosephmusic.com curates a tight collection of “remix hits” where Joel “JJ” Joseph flips big records and beloved songs into DJ‑ready versions that live comfortably in house, Nu‑Disco, dancehall, soul and jazz‑funk lanes. It reads like a focused digital crate: a place where DJs and music lovers can dig into familiar titles—Ellie Goulding, Tems & Wizkid, Beyoncé, MOLIY, Sean Jones and more—reimagined with JJ’s trademark live‑musician groove and high‑fidelity production.
Remixing the Hits: From Pop Anthems to R&B Classics
Right at the top sits “LOVE ME LIKE YOU DO – J FUNK REMIX”, crediting Ellie Goulding and JJ’s Bounty Hunterz, signalling JJ’s willingness to tackle a global pop anthem and recast it in his own funk‑driven language. The “J FUNK” tag hints at rubbery bass, syncopated drums and a more club‑centric arrangement, all while keeping the recognizable hook that made the original so massive.
Elsewhere on the page, JJ stretches into R&B territory with remix hits of Sean Jones’ single “If It Isn’t Luv”, turning a modern soul track into something ready for both radio and late‑night sets by leaning into old‑school grooves and warm harmonies. Together, these remixes show how he treats chart‑ready vocals as raw material for deeper dance‑floor journeys rather than simple edits.
Essence, Cuff It and the Global Club Canon
For DJs searching specifically for remixed hits, JJ’s takes on some of the biggest songs of the last few years are clear standouts.
A soulful house remix of Tems & Wizkid’s “Essence” reframes the Afrobeats smash with deeper house drums and lush keys, designed to slide into soulful, Afro‑house and deep‑house sets while preserving the song’s emotional centre.
A Nu‑Disco remix of Beyoncé’s “Cuff It” pushes one of Beyoncé’s most infectious grooves into an even more dance‑floor‑focused direction, adding disco sparkle and four‑on‑the‑floor energy that works in open‑format, funk and disco sets alike.
For both, JJ makes HQ WAVs available on request, underscoring that these remixes are meant for serious DJ use on big systems, not just casual streaming. That focus on quality and format is part of what sets the page up as a practical resource for working DJs.
Dancehall, Soca and Caribbean‑Flavoured Reworks
The MUSIC page also shows JJ’s love for Caribbean rhythms, giving DJs some high‑energy options outside straight house and disco.
A dancehall beat mix of MOLIY’s “Shake It To The Max” reimagines the hit on a head‑nodding, sound‑system‑friendly riddim, with HQ versions available on request.
A “high‑energy soca‑inspired remix” of Kehlani’s hit “Folded” (highlighted in site and video copy) nudges the R&B favourite towards carnival territory, perfect for Caribbean segments in a set.
These cuts give selectors genre‑crossing tools: a way to move from R&B and Afropop into dancehall and soca energy without losing vocal familiarity, which is essential for keeping mixed crowds engaged.
Motown Soul, Jazz‑Funk and Holiday Twists
JJ doesn’t just chase current charts; he also mines classic soul and seasonal repertoire for fresh DJ‑friendly angles.
The Motown soul remix of William Odell Hughes’ ballad “Loving You Was Easy” comes bundled as a full DJ pack, with 24/28 high‑quality files “for those who like quality,” giving club and radio DJs multiple versions and stems to work with.
“Silent Night, A Dwayne Morgan Christmas” pairs long‑time collaborators Joel Joseph and poet Dwayne Morgan to reimagine holiday music, fusing spoken word with funky jazz, R&B and reggae undertones—a gift for DJs and programmers looking for non‑cheesy festive material that still grooves.
A jazz‑funk EP described more info as “jazz funk at its best” includes both remixes and instrumentals, extending JJ’s remix ethos into extended jams that can work as intros, bridges or full‑on dance‑floor workouts.
Taken together, these projects show how JJ uses classic songwriting—love ballads, Christmas standards, jazz‑funk motifs—as a canvas for modern rhythm‑section ideas, giving DJs timeless yet contemporary options.
Built for DJs: HQ Files, Packs and Remix Radio
Everything about the MUSIC (and linked VIDEO) pages is designed with DJ usability in mind.
Multiple entries explicitly mention HQ WAVs available on request, signalling that JJ is ready to support club‑grade playback rather than just compressed streams.
The DJ pack branding on “Loving You Was Easy” points to a mindset where remixes are delivered in multi‑file, flexible formats for different set‑ups and performance styles.
The VIDEO page references “Remix Radio” and features content like “Folded – Savanah Fete Remix Radio,” suggesting curated mixes and visual companions that give DJs a feel for how these remixes can live in a full set.
Clear naming—J Funk Remix, Soulful House Remix, Nu Disco Remix, Ragga Remix, Dancehall Beat Mix—helps DJs quickly identify tempo lanes and vibe before even pressing play. That kind of labelling is crucial when building or refreshing playlists in a hurry.
Why These Are “Remix Hits” for the Site
For a blog focused on “remix hits” at joeljosephmusic.com/music, the story practically writes itself: this page is JJ’s living catalog of reimagined hits and deep cuts, optimized for both DJs and discerning listeners.
You can frame it around five pillars:
Global hits, local flavour – Ellie Goulding, Tems & Wizkid, Beyoncé, Kehlani and more, all filtered through JJ’s funk, house, jazz and Caribbean sensibilities.
DJ‑first delivery – HQ WAVs on request, multi‑file DJ packs, clean structures and descriptive remix tags that make club use straightforward.
Genre range with a common groove – Soulful house, Nu‑Disco, dancehall, soca, Motown soul and jazz‑funk, all anchored by JJ’s live‑musician ear for rhythm and harmony.
Story‑driven projects – Collaborations like the Dwayne Morgan Christmas project and Sean Jones remixes add narrative depth, ideal for editorial playlists and blog features.
Evolving catalog – With Beats From JJM, video content and new remixes referenced across the site, the MUSIC page functions as an ongoing showcase rather than a static discography.